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A Beneficial Mastery Exercise
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I always encourage learning of scale and chord stuff to be anything but mindless muscle-memory shapes since this isn't true learning; jumping around random keys and all over the piano is so much more beneficial. However, this idea can still be used everywhere but follows an interesting idea: you play a 251 but the 1, which is M7, becomes m7 and thus the 2 of the next 251. I you continue in this way, you actually descend the whole-tone scale, of which there are two patterns: one starts from C and one from C#. This exercise descends the scale. Enjoy!
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