To help with learning how to improvise, a few guidelines are useful which you then rely on less and less as you improve. One is to choose a common note across all the chords of the song and to base improvised lines on it (as in, away from and towards it). Summertime, in Am, can use D since it's the 11 of A, b3 of Bm7b5 and b7 of E7b9... it works nicely. Herein are a few examples of using that note. Combine this with other improvisation videos I've made and you'll start sounding very good indeed!
Time Stamps 00:00 - Intro 00:21 - LH shapes 01:30 - Choosing the note of interest 03:09 - Choosing a pool of notes 04:31 - Chord tones 05:00 - Blues scale and more 05:40 - Space also a note! 06:23 - Melody with other notes 07:39 - Review
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Videos in Theme: Video of the Day
I have selected a set of videos you may enjoy watching which have probably never been suggested to you by the YouTube algorithm. This is an ever-involving playlist so you'll never see the same video twice but feel free to add it to your Watchlist for later viewing!
Improvise Based off One Common Note
All Chords Like It!
To help with learning how to improvise, a few guidelines are useful which you then rely on less and less as you improve. One is to choose a common note across all the chords of the song and to base improvised
To help with learning how to improvise, a few guidelines are useful which you then rely on less and less as you improve. One is to choose a common note across all the chords of the song and to base improvised lines on it (as in, away from and towards it). Summertime, in Am, can use D since it's the 11 of A, b3 of Bm7b5 and b7 of E7b9... it works nicely. Herein are a few examples of using that note. Combine this with other improvisation videos I've made and you'll start sounding very good indeed!
Trying to overcome a difficulty by repeatedly playing it reinforces that you cannot play it and you will probably give up before you finally succeed due to the unnatural approach.
In this video, discover how to dissect an issue into its smaller
Trying to overcome a difficulty by repeatedly playing it reinforces that you cannot play it and you will probably give up before you finally succeed due to the unnatural approach.
In this video, discover how to dissect an issue into its smaller components, master them and then work back up towards the original difficulty as you discover it becomes easier and easier
Perhaps my most important video. I wrote an article and created a PDF for you to help get everyone on the same page, to get real about what you truly know and what you can truly do, no excuses.
Perhaps my most important video. I wrote an article and created a PDF for you to help get everyone on the same page, to get real about what you truly know and what you can truly do, no excuses. Everything is contained in this video and the PDF. So for a while, stop you repertoire building and stop messing around with random technical exercise books and have some self-analysis time. Feel free to share and print the simple, two-page doc as much as you wish. Feedback to inspire others greatly encouraged. Main points: major scale mastery, chord types, weak fingers, the most important technical exercise and some common chord progressions. As always, eyes closed, find your natural limit, don't compare with others and Play You!
I offer three steps to producing a pop song with confidence, precision and variety. First, L/H as single finger, on beat with R/H chord, block, on beat. Then, L/H open octave, any beat with R/H chord, block, any
I offer three steps to producing a pop song with confidence, precision and variety. First, L/H as single finger, on beat with R/H chord, block, on beat. Then, L/H open octave, any beat with R/H chord, block, any beat. Then L/H open octave (or chord any beat) with R/H melody as octave. I then put them all randomly together for an example final 'performance', as you will do with whatever pop song you're learning
No matter your repertoire choices, or even ability, getting comfortable with each finger's stretch to every other finger is very important. It will help you feel a lot more comfortable at the piano, whether it's scales, chords or melodies. The more
No matter your repertoire choices, or even ability, getting comfortable with each finger's stretch to every other finger is very important. It will help you feel a lot more comfortable at the piano, whether it's scales, chords or melodies. The more you keep playing every interval possible, in a variety of octaves, eyes closed, the better you'll become... and it's that simple!
Stride appears in many genres of piano music: accompanying singers, solo piano, classical, romantic, pop; it's also just a really good technical exercise for precision. Herein, we go from simple pinkie bounce all the way to open octave chromatic connections! I
Stride appears in many genres of piano music: accompanying singers, solo piano, classical, romantic, pop; it's also just a really good technical exercise for precision. Herein, we go from simple pinkie bounce all the way to open octave chromatic connections! I use a variety of chord types to demonstrate and provide a very simple right hand idea to help with hand independence.